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Horlicks India’s Passion Paathshaala rakes in mixed reactions on social experiment route

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Horlicks-Passion-Paathshala

Experts share a mixed reaction on – Horlicks Passion Paathshala which rides high on the social experiment format, narrating real-life stories.

Horlicks Passion Paathshaala aims to help children to build on their passion and quest to do what they love.

‘Sapne Hazaar hai, karne ki chaah hai, Iss jahan me badhne ki yaas hai’ – sings a kid who not only loves painting but singing too. There are instances where the children are ambitious to do more but parents only identify one of their taltents according to their interests. Kids deserve more than they will if they possess the talent and zest to do what they love- why not?

Vikram Bahl, Area Marketing Lead, Nutrition & Digestive health, GSK Consumer Healthcare India shares, “Horlicks, as a brand has always aimed at providing children with necessary nutrition to achieve more. Through this campaign, we aim at nourishing and fuelling the hidden hunger in children to go beyond by giving them a platform to grow and excel in any field of their choice.”     

Campaign Insight

While the brand has been communicating ‘Hunger to do more’ in its TVC campaigns, it wanted to bring alive this concept in the real world as well. Hence, this social experiment of Horlicks Passion Paathshaala created by Havas, wherein the brand helps children to carry on with their passion.

The campaign went live on social media and the brand claims “we have received an overwhelming response with over 29 million views on Youtube till date.”

Also Read: Are social experiment campaigns dying?

The campaign has managed to garner 18 Million views on Facebook with about 5k shares and 170k reactions.

The brand has also created a micro site under the initiative for kids to take the passion test and realise their ambitions. Horlicks Passion Paathshala works as an extension to the brand’s ‘Badne ki Bhookh’ which was launched in 2017, showcasing children and their hunger to grow in different ways. Thereby dialing up the passion by looking closely at what makes these kids today go after so many things, with great ease. Keeping a keen eye on children and childhood, Horlicks – Health Food Drink from GSK Consumer Healthcare resonates with this hunger and encourages them to go after it with their all new campaign ‘Badhne ki Bhook Rag Rag Mein’.

Social Media Game

Post the release of the main campaign film, Horlicks has been releasing bite-sized videos of real stories with #NutrientAbsorption. The brand is also trying to reach out to regional audiences with copies in Hindi. 

Experts share their take on the campaign and also on the effectiveness of social experiments as ad campaigns.

Experts review: 

Yash Chandiramani, Founder, Admatazz

Its an interesting campaign. I like the fact that they’re talking about what else does your child want to do? In a country where we put a lot of pressure on kids to focus on one thing or make life decisions at an early age, its nice to see them encouraging kids to keep their options open. From an advertising perspective, I feel it hits the right note with their target group.  

As long as the social experiment is relevant and doesn’t look forced. Social media is all about real people, so I doubt real people campaigns will die down so easily.

 

 

Varshabh Iyer, Copywriter, Magikbox

While the concept and the sentiment is popular, the film lacks the authenticity it deserves. It does not hit the emotive notes it should have. Social experiment campaigns have always been a tricky lot. Barring a few (Always, Heineken), not many have necessarily tapped into the collective subconscious. The lines are often blurred between a social experiment and a scripted campaign these days.

 

The post Horlicks India’s Passion Paathshaala rakes in mixed reactions on social experiment route appeared first on Social Samosa.


Social Media Campaign Round Up: Ft Vistara, Elkjop, Horlicks and more

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Social Media Campaigns

Here’s to another week of some impressive work from brands and agencies all over the world. Check out some of the social media campaigns that were rolled out this week.

Social Samosa’s weekly digital marketing and social media campaigns roundup this week features social throwback to brands who faced backlash, We Are Water Foundation’s #CloseOpenDefecation and more.

Learn more about the trending and hottest new social media and digital marketing campaigns with Social Samosa’s weekly social media campaigns roundup for a condensed summary of the industry.

Horlicks India’s Passion Paathshaala rakes in mixed reactions on social experiment route

Experts share a mixed reaction on – Horlicks Passion Paathshala which rides high on the social experiment format, narrating real-life stories. Read more here.

“Fly Higher”: Vistara’s new brand campaign inspires flyers to not settle for less than the best.

Aiming to inspire air travelers to not settle for second best, Vistara, India’s finest full-service carrier, today announced its new high-decibel multimedia brand campaign dubbed ‘Fly Higher’. Read more here.

#SocialThrowback: Brands who fell prey to social media backlash in 2018

Social Media BACKLASH! It is something that the digital savvy audience is beware of today. A strong, negative, and often angry reaction to something that has happened-is in simple terms what backlash entails. Read more here.

Brands bet big on social experiments and real stories in advertising

Social experiment is a go to thing for marketers nowadays. While some live to be telling the tale forever striking the right note, a few are just considered to be marketing gimmick. Read more here.

We Are Water Foundation and Dentsu Impact, urge people to #CloseOpenDefecation

On World Toilet Day, Dentsu Impact, the creative agency from Dentsu Aegis Network, joined hands with We Are Water Foundation, CSR wing of Roca Bathroom Products Pvt. Ltd. to launch a movement that’s getting everyone talking. Read more here.

#GlobalSamosa: Elkjop’s Christmas advert is more than an advert

Elkjop’s long-format ad is far different than a Christmas Carol, it’s emotions that have been brewing since decades in a barrel. Read more here.

The post Social Media Campaign Round Up: Ft Vistara, Elkjop, Horlicks and more appeared first on Social Samosa.

Alibaba’s #Double11 takes digital integration to next level

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Alibaba Double 11

This November China’s capital Shanghai was witness to Alibaba’s Global Shopping festival featuring a 24-hour online shopping promotion across Alibaba’s major platforms.

Marking it’s 10th year anniversary, the festival showcased the convergence of online and offline shopping experiences alongside livestreaming and interactive entertainment activities. First introduced in 2009, the 11.11 shopping festival has emerged to become it’s annual signature celebration on a global scale. Alibaba has been delivering its New Retail strategy and this year’s 11.11 Global Shopping Festival amped up the digital quotient.

The global event also demonstrated the enthusiasm of consumers and brands embrace Alibaba’s New Retail strategy – the convergence of online and offline retail through technology.“On the back of China’s explosive digital transformation, the Festival’s astounding growth over the past decade has powered the steady growth of quality consumption sought by Chinese shoppers. The evolution also showcases the development of the Alibaba ecosystem over time expanding well beyond e-commerce,” said Alibaba Group CEO Daniel Zhang. This year, 500,000 items were available for pre-order on Tmall from October 20. Customers were also offered additional promotional coupons on Mobile Taobao and Mobile Tmall.

The Internet may have come late to China, but its use has spread rapidly. China now has the world’s largest online population, with 802 million of Internet users, 98% of them mobile. This year, Alibaba, together with leading Internet celebrities, will produce over 10,000 short videos on various platforms, introducing hot items in a fun and interactive way to engage Chinese millennials. KOLs will conduct non-stop livestreaming over the 20 days leading up to 11.11, and over 200 Chinese celebrities will post on their social media channels a series of passcodes for consumers to unlock red packets with various brands.

Also Read: Alibaba’s 2018 11.11 Global Shopping Festival to see the convergence of online and offline retail through technology

On this, Jet Jing, Tmall President, Alibaba commented, “The millennials in China are born with the Internet. In this year’s 11.11, we added a new interactive voting feature to our signature ‘See Now Buy Now’ fashion show. As a prelude of the 2018 Global Shopping Festival, the fashion show was held in Beijing with an impressive line-up of more than 60 international and home-grown brands and allowed viewers to purchase items shown on the runway instantly from their mobile phones and vote for their favourite outfits to create a trend report.  The ‘See Now Buy Now’ show becomes a powerful sales channel for the world’s leading brands and also has the potential to reshape the fashion industry with the interactive component tailored for the always-online Chinese youth.”

He added, “The 11.11 this year also marked the first time the entire Alibaba ecosystem was mobilized to support this mega-event. Promotions covered e-commerce offers, entertainment content and local services. We are impressed by the stunning result achieved this year, which demonstrates the enthusiasm of consumers and brands embracing this global celebration.”

Also, on 11.11, AliExpress engaged with over 150 online key opinion leaders (KOLs) from Russia, Spain, France, Poland and the Middle East in a global promotion. AliExpress participated in this year’s 11.11 with activities spanning its global network for a total of 48 hours. For some key regions and countries, such as those listed above, AliExpress used AI to help create a range of product selections that cater to the preference of local consumers.

The company’s Global Shopping Festival has grown beyond an annual online shopping bonanza to become a key driving force that has transformed the lifestyle of Chinese consumers through the latest technology.

 

The post Alibaba’s #Double11 takes digital integration to next level appeared first on Social Samosa.

Makers of Zero launch India’s first Snapchat Lens for a Movie

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Zero snapchat

Red Chillies Entertainment has partnered with Snapchat to launch the first ever Augmented Reality (AR) Lens for a film in India to promote the upcoming launch of Zero on December 21, directed by Aanand L. Rai and starring Bollywood legend, Shah Rukh Khan.

The Lens, that went  live today and runs through December 22, will allow Snapchatters to become the main character, known as Bauua Singh, and interact with the plot line of the movie.

Snapchatters will be able to transform themselves into Bauua complete with garland and sunglasses and interact with the plotline of the movie. Zero’s plot  revolves around Bauua Singh (Shah Rukh Khan), a 38-year-old man from Meerut who is vertically challenged. He eventually finds his companion in Aafia Bhinder (Anushka Sharma) a scientist living with cerebral palsy. However, with a twist of fate, Bauaa lands up getting close to a moviestar Babita Kumari (Katrina Kaif). The movie tells a story of a Bauaa who believes in living life to the fullest. His physical form in no way limits the way he approaches life, ‘Zero’ is a film that celebrates life.

Launching this week, the Zero Snapchat Lens is an industry first in India and is focused on driving buzz and interest in the upcoming movie amongst mobile-first millennials in India. Snapchat is continually extending its reach in this demographic and, according to eMarketer,  the number of Snapchatters in India will have increased by 56% by the end of 2018 with many coming back hour after hour to create, chat and consume.*

The King of Bollywood, Shah Rukh Khan, recently made his debut as an Official Story on Snapchat. To mark the occasion, Snap also created the first Bollywood star-inspired Filter for SRK fans to join in the celebration of King Khan’s 53rd birthday.

Also Read: 7 Movie Marketing trends that are re-shaping the industry

Speaking about the initiative, Red Chillies Entertainment Head of Marketing Binda Dey explained how the Snapchat Lens is the latest innovation creating excitement around the movie ahead of its launch. She added: “Bauua Singh’s fans are in for a treat as we give them a chance to look like him. With this customised Snapchat lens, users will be able to click their Bauua look using Snapchat and share it with their fans. We are certain people will enjoy the experience of this fun lens while they wait to see their favourite character on screen.”

Ben Schwerin, VP of Partnerships, Snap added: “We are very excited to collaborate with Red Chillies Entertainment to promote the upcoming launch of Zero. This Bollywood-first activation will provide a unique and fun opportunity for Snapchatters to interact with the movie ahead of its launch.”

To use the Zero Snapchat Lens Snapchatters can tap their face when on the camera screen, to launch the Lens carousel, where they will be able to swipe to choose a Lens. They can then take photos or videos to capture a Snap and share it with their friends. A Snapcode for the Zero Snapchat Lens can also be found here: Makers of Zero launch India’s first Snapchat Lens for a Movie appeared first on Social Samosa.

Why Bauua Singh’s marketing strategy is anything but Zero…

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Zero marketing strategy

Time and again Shah Rukh Khan has been touted a better marketer than an actor. If reports are to believed, SRK started the marketing campaign for Ra.One 200 days prior to the release! With Zero’s Marketing Strategy too, the actor and the makers do not disappoint.

Thank You bol rahe hai- Volume badha lo- says Bauua Singh to you. The character from Anand.L.Rai’s Zero has been living its life to the fullest on Twitter and is inviting fans to share their pictures with him only to get a customized digital photo of them with Bauua.

15.6 million Instagrammers along with 37 million twitterati would know each and every movement of Bauua Singh and what is he up to right now. From congratulating ISRO to commenting on Virat Kohli’s photo, Bauua has been promoting his film in every possible way by connecting these moments with one from the movie and himself.  

Hitting the silver screen today, Zero starring Shah Rukh Khan, Katrina Kaif, and Anushka Sharma has been creating buzz since December 2017.

It all started as a Twitter conversation between Rai and SRK about the film’s title announcement. The Twitterverse was witness to this candid chat between the star and the director at 5 pm on January 1, 2017 while the name was announced. 

Right from announcing the teaser poster to releasing the film’s teaser video on Eid to SRK being SRK releasing the official trailer as a return gift for his fans on his birthday, Red Chillies Entertainment has left no stone unturned. Additionally, Team Zero has been creating conversations around the launch of songs, releasing behind the scene videos, using social media to create buzz. 

Also Read: 7 Movie Marketing trends that are re-shaping the industry

Launch of Bauua Ki Toli

The makers of ZERO announced the launch of a unique engagement program, called Bauua Ki Toli, where Bauua Singh’s fans got a chance to become his Khaasam Khaas by earning points.

Fans were able to win ZERO merchandise, personalized autographed posters, and a lot more cool stuff. Additionally, movie ticket cashbacks from Paytm and exciting Bauua merchandise were also made available. One had create a profile on the website, connect their Facebook and/or Twitter profiles, and interact on the Red Chillies Entertainment pages daily to earn more points. With each activity that fans complete, they get closer to Bauua Singh and stand a chance to meet the star cast of ZERO.  Launched ahead of ZERO’s release, the program aimed at bringing the fans of Shah Rukh Khan, Bauua Singh and ZERO together.

Association with Amazon’s Alexa

Fans could listen to Bauua Singh’s voice all day long on their Amazon Echo smart speakers as well as other Alexa built-in devices such as Bose headphones. The movie claims it to be the first time where a Bollywood film developed an interactive Alexa skill as part of their promotional activities saying- Alexa, open Bauua from Zero.

Using the ZERO movie skill, users are able to ask Alexa to talk to Bauua who narrates shayaris, life fundas, and jokes. Additionally, users could enjoy the trailer of ZERO, dialogues and Zero’s trivia. On doing this, some lucky fans won ZERO movie merchandise and a chance to meet the star cast of the film by recording a video or writing a shayari for Alexa in Bauua’s style and uploading it using #BauuaOnAlexaContest on social media.

TikTok’s #zerochallenge

TikTok and Red Chilies Entertainment collaborated to introduce a fan engagement activity.  Through this partnership, Red Chillies Entertainment released some of the dialogues and short video excerpts from the movie on its official TikTok handle as a part of the #zerochallenge.

The challenge, which is live on TikTok until 26th December, encourages users to share their creative talents in front of a global audience. Users with the most creative videos get a chance to win official merchandise of the movie. Ten winners with the most creative video submissions get a chance to meet the three superstars of the movie in person. TikTok users can also expect SRK to cheer them on during the course of the #zerochallenge with personalised videos on Red Chillies Entertainment’s official TikTok handle.

Snapchat Lens for a Movie

Zero Snapchat Lens is touted be an industry first in India and is focused on driving buzz and interest amongst mobile-first millennials in India for Zero. The Augmented Reality (AR) Lens allows Snapchatters to become the main character as Bauua Singh, and interact with the plot line of the movie. Snapchatters will be able to transform themselves into Bauua complete with garland and sunglasses and interact with the plotline of the movie.

Also Read: Changing dynamics of Movie Marketing: Are digital efforts translating into in-theater leads

ARRived with AR Rahman

A subtle promotional activity was carried away when the Badshah of Bollywood appeared alongside AR Rahman in India’s first YouTube original ‘ARRived’. The anthem of the singing reality show was premiered recently on YouTube which will be co-judged by AR Rahman, Clinton Cerejo, Shaan and Vidya Vox.

Conversation with the stars

Bauua Singh’s Twitter life has been active, keeping engagement around the movie active and on-going.

Zero is touted to be one of the most expensive SRK movies (production budget of INR 200 Crores). With an agile marketing approach, team Zero has been attempting to drive maximum footfalls to the theater.

The post Why Bauua Singh’s marketing strategy is anything but Zero… appeared first on Social Samosa.

JetPrivilege’s ‘Your passion can take you places’ evokes mixed reactions

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Your passion can take you places

The world over is filled with passion, ambition, and dedication towards one’s work and goals. Integrating this thought process in it’s latest campaign, JetPrivilege showed the world how ‘Your passion can take you places’.

The thematic brand campaign ‘Your Passion can take you places’ is aimed at accelerating JetPrivilege’s members’ dreams and aspirations.

Creative Thought process

Be it travel, photography, music, astronomy, food, shopping or simply our job, most of us are passionate about something. So, wouldn’t it be great, if someone rewarded us for doing what we love?

The central thought of the campaign is that there are almost as many different passions as there are people and many have more than one. Reflecting the brand ethos,  it focuses on how dreams are important and how JetPrivilege is a catalyst towards realizing them.

Campaign Objective

With the aim of demonstrating the programme’s relevance to audiences’ lives beyond flying, JetPrivilege through this campaign attempts to create a shift in perception and enlighten potential members about how they can interact across various programme partners and accelerate their JPMiles earning. This, in turn, motivates existing members to engage with the programme across activities with a brand that understands and cares about their passions.

About the campaign

The campaign encourages individuals to cultivate and pursue their passions while acknowledging and taking the onus of enhancing their role beyond just a transactional business-consumer relationship.

One of the films tells us the story of an entrepreneur who is required to take regular air miles for work commitments. While the other two talk about the passion of a Junior Astronomer and an aspiring Photographer. 

Commenting on the campaign, Manish Dureja, Managing Director, JetPrivilege, said, “Our campaign resonates with the sentiments of our target audience as it acknowledges every individual’s unique dreams. As a brand, we want to encourage, fulfill aspirations of our consumers by creating memorable and rewarding experiences.”

In spite of digital-first approach, the campaign isn’t promoted or disseminated through social media.

Also Read: Horlicks India’s Passion Paathshaala rakes in mixed reactions on social experiment route

The various facets of the campaign will be brought alive through a Digital and Mobile first approach.

However, it is worth noticing that the campaign has been launched when Jet Airways has found itself amidst some serious crisis. Whether it be the clearance of staff dues or customer refunds, the crisis has not deterred the company in rolling out campaigns that show their love for passion through the advertisements. Some would call it well-timed, some wouldn’t. 

Experts Speak:

Abhsishek Jain, Founder, DG Avatar Media

“The campaign gave a smart connect to a very basic but genuine topic called ‘Passion’. It was interesting to see how Jet Privilege card was plugged in with the passion of exploring the world in 3 different forms of life.

Initially, it looks like an exaggerated commercial but it stays in your mind after you watch. So, completely it is a new idea to give purpose behind the product.”

Mallika Kejriwal, Founder & Creative Head, The Design Bay Studio

“I thought overall it’s a very cool campaign – my passion takes me places is a great way to present it. The dialogue is in the form of a poem and simple. The shots are also really well done.”

Karthik Srinivasan, Digital Marketing Communications Consultant 

Srinivasan on his blog goes onto mention that he has a much bigger problem with one of the 3 films in the campaign, made by Dentsu India. Further he writes:

“The film makes it look like overworking is some kind of hobby or aim in life, if you consider the other 2 films in the series – Junior Astronomer and Photographer. Overworking, or giving up your life for an employer, is not fashionable. It may be hugely beneficial monetarily, of course, but it is not a sustainable or scalable method to lead one’s life.

So, Jet showing us the sad face of the child and the wife even as the husband lives a parallel life is not even something worth showing. I still remember a colleague in one of my earlier workplaces who used to be just this film’s lead. At one point he got a jolt of his life when his young daughter drew a family picture for school and she didn’t even include him, the father. When asked, she said that father is never around anyway, so she didn’t bother to include him in the picture!

This film is both poorly conceived and badly intended. That’s just my view. But I fully understand that such people’s priorities are different from mine. But, organizations all over the world are thinking on these lines too. It’s not an isolated sentiment.”

 

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#ThrowbackThursday: Revisiting Nestle India Maggi’s journey

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Maggi Advertising Journey

First to feature in our #ThrowbackThursday series is your, mine, and everyone’s favourite – the 2 minute Maggi noodles. While the brand fights back the allegations and claims against it, we take a detour to walk through the Maggi Advertising Journey.

Amidst all the racism, caste discrimination, class politics, if there is anything that binds all Indians together – it is the two-minute instant noodle we call Maggi. A saviour to a survivor, a go-to-snack for trekkers, a mother’s quick-pick from the supermarket, a kids default choice – the noodles has surpassed every competition on its way.

Maggi in soup, yet again – 2019

The first weekend of 2019 saw leading English print dailies displaying ‘Your Maggi is Safe, Has Always Been’ wherein the brand marched upon a campaign to ensure to the readers and its consumers that it has not compromised in its quality and will never do it. The move came after the apex court on January 3 gave the National Consumer Disputes Redressal Commission (NCDRC) a go-ahead to proceed with a class action suit brought against Nestle 3 years ago by the government for allegedly selling Maggi noodles that fell short of the existing food standards.

Harish Bijoor, Brand Consultant commented, “The recent controversy is a non-controversy as it is the opening up of a shut issue. An issue the CFTRI (CENTRAL FOOD TECHNOLOGICAL RESEARCH INSTITUTE) report closed”. 

Applying learnings from it’s earlier ban, this time around the company came up with a  quick response action in the form of the print campaign and did the crisis management right. However, Maggi lovers just like us are reeling under the worry that what if Maggi gets banned again?

 

The greatest brand controversy – Maggi gets BANNED – 2015 

It was in June 2015 when the noodles made a comeback after the ban was lifted and found its place in the aisles of supermarkets again. The whole country cheered up. Maggi had found itself in a soup when The Food Safety and Standards Authority of India (FSSAI) imposed a nationwide ban on it due to the presence of a high amount of lead and Monosodium Glutamate (MSG) and misleading advertisements.

As an after effect of this, the brand’s shares plunged drastically while it dominated the market share earlier. The company had stated that Maggi, which once enjoyed a 75% share of the market before the ban, which dropped to 60% in 2016. Various celebrities with the likes of Madhuri Dixit Nene, Preity Zinta, and Amitabh Bachchan who were associated with the product were trolled heavily on social media for endorsing the alleged ‘life-threatening’ noodles.

While the brand might have been slightly late in initiating the crisis management process, they made a touching statement with their #WeMissYouToo campaign.

Maggi Relaunched  

The countrywide ban on Maggi was lifted by the Bombay High Court on 13 August 2015 after lab tests conducted by various state governments found that the lead content was much within the limits. In the whole process, Maggi is alleged to have suffered a loss of Rs 420 crore. 

In September 2017 Nestle partnered with FSSAI to open the first food safety institute in Manesar to back up the cause of improving food safety standards in the country.

Although we are all for safe food standards and high maintenance of hygienic conditions when it comes to any kind of food, we cannot deny but agree that Maggi has raced against the time becoming an essential food item to be stocked in your kitchen cabinets. It has found a place in every Indian heart and has maintained the position throughout.

The 35-Year-old Journey in India

In this #ThrowbackThursday, the article does not seek to glorify Maggi but traverse through its journey in India since it’s launch in 1982. Bijoor expressed that Maggi has established for itself a heritage brand status in India in a rather short span of time.

“The brand has positive memory strokes from generations of Indians who are still alive. These are the folk that have their fondest memory attached to the piping hot noodle in 2-minute format,” he added. 

The two-minute revolution came with its own set of challenges when the country was alien to any snack as a noodle. According to penguin.co the Indian market at that stage had no convenience food at all and an almost non-existent range of industrially produced food products. With 28 states, at that time, boasting of varied cuisine and tastes it was almost impossible to get into the roots and introduce the brand positioning and the category to the locals.  

Very few would know that the hidden treasure inside the packet we call the ‘Tastemaker’ wasn’t dug inside it always. After the launch of the original product and facing stiff competition, Maggi’s makers introduced tastemaker, the flavouring agent in 1997.  Later in 1999, ‘Fast to Cook, Good to Eat” mantra helped Maggi to find a place in people’s hearts.

Also Read: 10 Maggi campaigns that will make you nostalgic!

Tagline ka Magic 

Packaged in different variants of masala, tomato, chicken, and curry, Maggi brought a new wave of quickly cooked food for Indians. The Swiss company identified the need for a good and convenient snack cum food in the market and readily launched the product. Targeted at working women in the early days, Maggi changed its positioning to kids after it realised that it wasn’t doing well.

With affordable pricing and different size packaging, Nestle tapped on its challenges and problem statements actively. It started with weaving impressive taglines around the product for instance: 2 minutes noodles which defined its convenience, ‘Taste bhi Health bhi‘ rooting for staying healthy, ‘2 minutes me Khushiya’ integrating fun elements, Maggi mania – Chaska taste ka, health rice ka,  Maggi Cuppa mania – Just add garam pani, Carry on Jani made the brand quirkier in terms of advertising communication.

Mummy bhookh lagi hai, bas do minute’ still rings in my ears and takes me down the memory lane. Nestle realised the potential of the product and leveraged every possible medium including print, television targeting kids programmes and cartoons and outdoor to advertise the features and create a high appeal among the masses.

Maggi – An emotion 

In 2018, on the occasion of Women’s Day Maggi rolled out  “Kuch Achha Pak Raha Hai” that recognizes the changing status of women”. From those black and white ‘Mummy I am Hungry’ to launching the Me and Meri Maggi’, inviting consumers to share their Maggi moments on it’s 25th anniversary to rolling out the revolutionary #WeMissYouToo during its ban, to now aiming at changing societal perceptions, Nestle Maggi epitomises the saga of adapting to the moment and getting the consumer sentiment right.

Integrating emotions well versed with audience requirements has been a tactic that the brand has imbibed in its 3 decades of communication journey.   

From launching Maggi Macaroni, to Maggi Cupalicious to Maggi Oats to introducing India to it’s first baked Sweetcorn noodles, the brand has come a long way.

Getting nostalgic, Bijoor shared that his fondest memory of Maggi is partaking of a piping hot Maggi on a deadly cold trek! An occurance that is a palliative memory linked to brand Maggi.

In it’s 36the year Maggi faces stern competition from brands like Wai Wai noodles, Sunfeast Yippee Noodles, Ching’s Chinese, and Knorr Soupy Noodles. It has had it’s ups and downs like no other and now enjoys 60% market share.  

In July 2018, Maggi rolled out ‘From Our Kitchen to Your Kitchen, a 4-part video series where consumers were invited to learn about their products and how they are made. 

While Maggi still remains our go-to 2-minute snack pick, it is the responsibility of every brand to adhere to safe food quality standards and do proper maintenance. Nestle claims to comply to all food production norms and come back stronger every time.

We just wish the best for the iconic brand while we slurp the noodles sans any second thoughts. 

While we continue to take this walk down the memory lane of the ad world, next up in the #ThrowbackThursday series will be yet another genius of a brand of your choice. Let us know in the comments below or write to us on content@socialsamosa.com. 

The post #ThrowbackThursday: Revisiting Nestle India Maggi’s journey appeared first on Social Samosa.

Report: Virat Kohli’s brand value rises by 18% to US$170.9

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Celebrity Brand Report

Duff & Phelps announced the fourth edition of its Celebrity Brand Valuation Report 2018, titled, The Bold, the Beautiful and the Brilliant.

The report provides a ranking of India’s most powerful celebrity brands based on brand values derived from their endorsement contracts.

Key findings from the report include:

-Virat Kohli retains the top position for the second consecutive year. His brand value rose by 18% to US$170.9 million in 2018.

-Deepika Padukone rises to the second position, whereas Shah Rukh Khan falls to the fifth position.

-Total value of the top 20 celebrity brands stands at US$877 million, with the top 10 contributing more than 75% of the total value.

Also Read: India’s media consumption has been growing at 9% CAGR over the past 6 years: BCG-CII report

Celebrity – Top 10  2018  2017
 Brand Rank Brand Value  Brand Rank
 Virat Kohli  1  170.9  1
 Deepika Padukone  2  102.5  3
 Akshay Kumar  3  67.3  4
 Ranveer Singh  4  63.0  5
 Shah Rukh Khan  5  60.7  2
 Salman Khan  6  55.8  6
 Amitabh Bachchan  7  41.2  8
 Alia Bhatt  8  36.5  9
 Varun Dhawan  9  31.6  10
 Hrithik Roshan  10 31.0  7

Varun Gupta, Managing Director, Asia Pacific Leader for Valuation Services says, “Celebrities have an overwhelming influence on a consumer’s choices, which is one of the reasons why product brands rely on them for their endorsements.”

See the entire report below:

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Clinique India’s We Hear You ft Instagram influencers rakes mixed reviews

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Clinique India digital campaign We Hear You

Clinique India’s ‘We Hear You’ seeks to celebrate independent and beautiful women; experts share their take on whether the campaign rings the right note.

For TV presenter and Youtuber Leeza Mangaldas, skin care has always been more important than make-up. Meanwhile, being unafraid is beautiful feels Stand up comedian and makeup enthusiast Supriya Joshi. Mangaldas and Joshi along with Teena Singh and Lisa Mishra feature in Clinique India digital campaign We Hear You where the brand asked the women about finding the right attitude, direction and foundation to be #EvenBetter.

About the campaign

Produced by Supari Studios, the video shows the four influencers candidly talking about what beauty means to them simultaneously describing the role that Clinique’s Even Better products play in their lives. They put together a series of films that offer viewers a glimpse into each influencer’s personality.

In between all the objectification and constant judgments towards facial features and the looks, today’s woman is more concerned about her appearance and how she presents herself in the crowd. While taking all this into cognisance, beauty brands are opting to preach what real beauty is and how to preserve and identify it while subtly integrating the product in the communication.  

The YouTube video has garnered 211k views and is shared by the influencers on their personal Instagram and Facebook profiles.

The Director’s Cut

The aim of the film was to celebrate the diversity of smart, independent Indian women and at the same time highlighting that the brand caters to over 50 types of different skin tones.

Sameer Ghauri, Director of the film said, “Our goal was to keep the tone of the films honest and real, complemented by clean and elegant visuals that are crisply edited to music handpicked to pair with each lady’s distinct personality. The colour tone of each film was also meticulously chosen to complement the different skin tones of our influencers.”

Also Read: JetPrivilege’s ‘Your passion can take you places’ evokes mixed reactions

Objective

With the campaign, Supari Studios wanted to focus on the tagline ‘Even Better’ by bringing out the strong personalities of each of the influencers and how they don’t like to settle in life, just like the Even Better foundation. According to Mitali Sharma, Executive Producer, Supari Studios the ad campaign tried to encapsulate a piece of the influencers’ life into the films by throwing in some minimal props that gave a suggestion of their profession.

The brand extended #WeHearYou with an influencer outreach initiative featuring paid partnerships with influencers such as Aashna Shroff and Ankita of Corallista.

Experts Take:

Diana Fernando, Account Manager, Gozoop

For a consumer who watches the campaign video for the first time, he/she is bound to be super confused. There’s so much online content available today that consumers have no time to rewind and watch something if they don’t understand it at once. Were they promoting a new range with the name ‘Even Better’ or were they telling women that they can be even better?

After watching all the videos I realised, they were actually trying to marry the product range and the thought of being even better but failed in doing so. Keeping the insight and thought at the forefront would have grabbed more eyeballs and curbed the confusion instead of pushing the product so hard. The choice of influencers seems to be good. They’re simple yet ambitious women with very good to decent social following.

Prateek N Kumar, CEO & MD, NeoNiche Integrated Solutions

Clinique’s even better product campaign brings 4 very distinct influences to tell the story of modern Era Indian women who are independent. The campaign “We hear you” is able to create the distinction with the choice of music, background, and moods. However, would have liked a more distinct choice of influencers apart from the 4 already captured in the campaign to bring in emotional connect with different demographics, geographical market, and ethnicity.

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URI makers’ fitting anti-piracy reply: Movie marketing done right?

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Uri anti-piracy video

The makers of Uri: The Surgical Strike have taken upon themselves to combat piracy by creating a hard-hitting video in a bid to get the moment marketed right.

Picture Dekhiye, garv se, theatre Me Jakar, Chori Chipe Illegal Download Karke Nahi’ – is a message from Team Uri- The Surgical Strike to all the ‘torrent bhakts’ who are least interested in taking that extra effort of walking down to the cinema hall and watch the movie ‘Kyunki Torrent pe sab milta hai’.

‘Piracy’  has been plaguing the entertainment industry since ages and it is no news. Keeping the threat in mind, five days post its release, the makers of Uri- the Surgical Strike starring Vicky Kaushal, Yami Gautam created and planted a video where the stars urged fans to go and watch the movie with pride in theatres and avoid downloading it illegally. More than a marketing gimmick the urge seems like an emotion expressed by the creators and the actors who endeavored to make it larger-than-life and the success.

URI the surgical Strike 3.8gb torrent theke download Kore eta sunte HoloBaki purota trailer diye rekhecheTheater Chalo ,R churi kora jabena Yeh Naya Hindusthan hai <3 <3 Nya Soch K liye Salute

Posted by Arin Mandal on Tuesday, 15 January 2019

It all started when one of a million netizens who, much in excitement, downloaded a 3.8 GB torrent file of Uri to watch it at the comfort of their home. In return what they get is an actual pirated footage of the movie where the cast is seen discussing a plan to counter the prime target displayed on the projector.

Amidst all this, Vicky faces the camera and addresses the viewers by revealing the actual video motive. He along with the other cast discourage the audiences from downloading the pirated version of the film and watch it in the theaters as it narrates the story of pride of the nation and Indian army. The video has been planted by the team spreading the message for anti-piracy ending it with the film’s tagline-

‘Yeh naya hindustan hai, ye ghar me ghusega bhi aur marega bhi.’

Also Read: Accidental Content Marketing Calendar or fortunate love from filmmakers?

Garnering 7k shares and 5.7k reactions the video has been under the spotlight on Facebook and a few others are making sure that the word reaches the right ears, also applauding the team effort.

Since the announcement of the film, there has been a constant buzz on the internet with people highly appreciating the topic of the film, based on true events.

While the high spirits of patriotism sparked by the movie are still on, it has added yet another much-talked-about topic-  Piracy. According to the Irdeto Global Consumer Piracy Threat Report 2018, India is one of the top five countries with the highest peer-to-peer (P2P) downloads taking place. Close to 965 million P2P downloads took place between January 2017 and May 2018. The Indian film industry loses around Rs. 18000 crores ($2.7 billion) and over 60,000 jobs every year because of piracy, as per Business Economics report.

Amidst all this, it makes sense for the creators to join the anti-piracy bandwagon and add an out-and-about subject for the country to tackle in – the result? The world is already about it. Thanks to the Digitalverse adding spark to the Moment marketing tactics.

While Uri stands strong both on the box office and it’s marketing agenda to take ahead the communication even after it’s release, the timing of all the buzz around the film’s subject has been questioned keeping in mind the 2019 elections and Brand Modi in the remaking. Rest on the reader to interpret!

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#BrandSaga: Raymond: The brand that redefined masculinity

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Raymond Marketing Journey

The brand that went beyond the Angry Young Man fad to introduce Indians to The Complete Man. The Raymond Marketing Journey….

Older than our 2-minute Maggi noodles and the one who has seen our country’s struggle for independence, this brand’s journey is far more than a legacy. Just six years away from entering into its centenary year, Raymond runs strong at 94. Neither an anniversary special nor a news piece, in this series we trace the age-old brand’s spectacular journey as they made the Indian man ‘The Complete Man’.

The Iconic 94-year-old Journey

Sowing the roots

It was in the year 1925, when India was still reeling under the British Raj, that the roots of Raymond Limited were sown in the heart of Maharashtra – Mumbai (then Bombay). A small woolen mill named as Raymond Woollen Mill was set up in Thane. In 1944, when Lala Kailashpat Singhania took over Raymond, the mill was used to manufacture coarse woolen blankets and modest quantities of low-priced woolen fabrics. When India attained freedom in 1947, they set up a manufacturing unit JK Files in 1950 for indigenous engineering files.  Achieving one its milestones was Raymond when in 1958 it forayed into retail with the launch of the first exclusive retail showroom in King’s Corner – Ballard Estate, Mumbai.

Modernisation – A way of Life

The 1960s saw the company switching to fine and sophisticated machinery imbibing modernization in its core value and proposition. ‘Since then modernization has become a way of life at Raymond,” mentions the company’s website.

The one difference that set them apart was while the former positioned itself as an aspirational brand for achievement, the latter promoted itself as ‘the brand that everyone can afford’. The shift in their proposition also reflected in their communication.

Vijaypat Singhania – The Raymond Man

It was now the time for the scion to take up the reins in 1980. Dr Vijaypat Singhania, son of Lala Kailashpat Singhania was appointed as Chairman of Raymond. Under his leadership, Raymond started exploring different sectors like indigo denim, charter air services, and more.

This was also the period when Raymond took it on themselves to re-define the definition of masculinity as they began to push The Complete Man through integrated campaigns.

Be it a loving father or a supportive partner, the black and white hues became a signature of the Raymond ads.

“The first time I looked at suiting advertising was when I was asked to handle the brand Cali-ber from Calico Mills. The pioneering work done by Frank Simoes for Raymond is still fresh in my mind. The ads did not glorify suiting or a macho man but were a masterclass in the art of subtle selling,” shares Ambi Parameswaran, Brand Strategist and Founder- BrandBuilding.com.

 

 

 

Raymond – The Bold Man

After styling men for a long time now, Raymond was out to break stereotypes and taboos. It went on to launch Kamasutra (The word that can’t be talked about in public even today) in the early 90s. Within a year of the launch, Kamasutra became the second largest condom selling brand in India.

In 1991, Kamasutra launched one of the most controversial ads of the Indian advertising industry – ‘For the Pleasure of Making Love’ created by the legendary, Alyque Padamsee, starring Pooja Bedi and Marc Robinson. The campaign depicted sensuous scenes much to the horror and surprise of their audience and the ad world.

In the mid-80s and early 90s, Raymond also broke free of the Angry Young Man fad and brought forth a different side of masculinity with The Complete Man. The brand spoke about the other side of masculinity, once again, a subject that brands still get bashed for speaking about.  

Also Read: #BrandSaga: Revisiting Nestle India Maggi’s journey

In 2018, Raymond featured a visually impaired Indo-Canadian singer and writer Jugpreet Singh Bajwa, who gave an ode to the color Black, introducing the brand’s All Black Collection. Created by Grey India, the campaign was lauded for its choice of narrative.

And the legacy continues

In 2000, the legacy was passed onto Gautam Singhania where Vijaypat gave 37.57 % of the total shares to him. This is when ‘The Complete Man’ reigns were managed by RK Swamy BBDO and the campaign witnessed some of its most prominent campaigns.

Shekhar Swamy, group CEO, RK Swamy BBDO said to Economic Times, “When we took over the advertising, the man was at the centre of all ads, the focus from clothes had moved. That was something missing.”

Soon the agency began to re-focus on the core product by focussing on the suits. At this point, the campaigns were about a suited model going through some tasks of life, usually with a prop, all through gracefully, adorned in his Raymond outfit.  

“The baseline ‘Raymond -A New Kind of an Executive Statement’ was a classic. Then came the Raymond – Complete Man series done by Nexus Equity by the team Rajiv Agarwal, Rajan Nair, and Arun Kale. The print ads were great and the TVCs is so relevant even today. I would submit that those were really the best advertising that has been done in this country for the apparel category,” Parmeswaran opines.

The Growth Story

Cut to March 2018, while the company still marches on the goodwill lane, it mulled over cutting down on ‘Maker’ for the mass market which was launched in 2011 and targeted at smaller towns and rural areas with an aim to compete with players like DelMonte, Vimal, Siyaram and Grasim.

Sanjay Behl, CEO, Lifestyle, Raymond, was quoted by The Hindu BuinessLine stating, “Raymond managed to reduce its losses by 58 percent at Rs.14 crore. “We now want to drive maximum profitability at the cost of volumes by having higher margins.”

As per March 2018, Raymond Limited possessed a net worth of 1,317.06 crore up from 1,224.04 crore in 2017. RAYMOND is one of the top 500 Shares identified by Dynamic research team at the end of every quarter out of 1700 Shares of NSE.

‘A Complete Man’ to ‘Raymond ReImagined’ – the Saga Continues

Meanwhile, it would be wrong to state that Raymond’s advertising has taken a full 360-degree circle but has reinvented itself. From ‘The Ultimate Man’ to ‘The Complete Man’ to ‘Raymond ReImagined’, the brand has revived with the time.

Portraying a caring husband, a well-read man, a doting father, an honest friend, an obedient son Raymond while subtly integrating the product features showed ‘the Complete Man’ highlighting all the aspects of his personality and emotions through all these years.  

“In the last ten years Raymond has been trying to rekindle the ‘Complete Man’ mystique. Succeeding occasionally too,” Parameswaran shares.  A testimonial of the same, Raymond ‘The Complete Man’ TV commercial (husband-baby) winning the “National Laadli Media & Advertising Award for Gender Sensitivity in 2013-14.

No less than the video ads, as Parameswaran pointed out, Raymond’s outdoor and print advertising has been touted as the best to date.

Parameswaran added here, “I liked the current series of advertising that presented the Raymond Khadi collection. I am however missing the big brand picture for which Raymond has been famous for. Time to reinvent Complete Man for this age. Or to bring back ‘Executive Statement’?”

Be it the launch of their Autumn Winter Collection or the ‘All Black’ Collections or the ‘Raymond Whites’ campaigns, every story puts the spotlight on the desire to be a complete man.

“The complete man has been an iconic campaign which most of us have grown up on. Very rarely have fashion brands managed to go beyond the product, however, Raymond has successfully created a brand with a very powerful narrative. My favourite of the lot is the school teacher retiring. What has really – stayed with me over the years is their signature music tune,” Nisha Singhania, Co-Founder, Director, Infectious.

The brand’s advertising journey has shifted from the family man and a hero-led communication to a more product heavy spot pitched  in favour of the aesthetics of the fabric.

“Raymond, to me, has always been one of the iconic brands created in this country. There was a time when almost every urban young man’s first suit was inevitably from Raymond’s,” expresses, Subhash Kamath, CEO and Managing Partner, BBH. “I fondly remember a campaign in the ‘70s (I think) titled “What the well dressed man should be wearing”. They established themselves as thought leaders in male fashion with that campaign.”

Reiterating the success of ‘The Complete Man’ Kamath shares, “the real breakthrough in imagery, came with the launch of The Complete Man. At a time when all suiting brands were looking the same with standard shots of machismo imagery, Raymond broke through the clutter by portraying the sensitive side of the Indian man.”

Kamath feels that while the brand might have lost the plot a for few years, till about 2 years ago, Raymond advertising today is looking far more younger, dynamic and fashionable, keeping in tune with the millennial generation.

“And what remains as a constant reminder of its iconic status is the delightful signature tune that has stayed with the brand through generations,” he concludes.

PS: Subhash Kamath’s favorite suit from his wardrobe is of Raymond

Adapting to Digital

Although Raymond has always bet big on Television and Print, the advent of digital and it’s impressive reach has made the age old brand to foray into the digitalverse.

In 2012, Raymond created a platform for young, aspiring models across India to make a mark and achieve their dreams in the world of men’s fashion. Titled  ‘Raymond Model Hunt’ the activity was executed via Facebook, as a tribute to the new-age social media friendly Indian male.

In 2013, Raymond took a break from the ‘Complete Man’ imagery and aimed to explore his passionate side and interests in life. It unveiled the ‘Drive for Passion’ where the users were asked to share the story of their first driving lesson or very first car or a road trip taken with friends.

On digital, Raymond is seen dividing its content into product-centric slices, making them relatable for the right niche amidst the clutter.

As of now, Raymond’s digital presence is all about #TailorYourStyle, a campaign presenting a narrative of the art of fine tailoring and its legacy of aesthetic perfection for Raymond Custom Tailoring.

#TailorYourStyle

Presenting a narrative of the art of fine tailoring and its rich legacy of aesthetic perfection. Create your own distinguished jacket in rich color tones & refined detailing, with Raymond Custom Tailoring.#TailorYourStyle #Raymond #TheCompleteMan #MensWear #MensFashionCREDITS Client:Raymond – The Complete Man Creative Agency: GREY Group India Director: #RafWathion Styled by: Madhu S Dutta Production House: Magik Lantern FilmsMusic: BrandMusiq

Posted by Raymond – The Complete Man on Sunday, 6 January 2019

 

The Family who gave us Brand Raymond is no more a complete one and stands distorted at the moment. The father-son duo have taken legal route against each other for different reasons.

However, this doesn’t erase some of the finest memories of the brand from our minds, that’s the power of The Complete Man.

With additional inputs from Saloni Surti. 

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PM Narendra Modi the biopic creates WhatsApp Mania

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PM Narendra Modi Biopic

Sandip Singh’s biopic on the Prime Minister titled PM Narendra Modi has definitely caught the imagination of the country. Directed by Omung Kumar with Vivek Oberoi in and as Narendra Modi has kept social media abuzz.

1500 WhatsApp groups that have been formed to just share information about the film. Digital agency Everymedia that is handling the social media promotions for the film says it has been getting requests to share information about the biopic.

Gautam B Thakker of Everymedia says, “The buzz around this movie is exceptionally high and the posters have been shared on every possible platform. 1500 WhatsApp groups within a week of a film’s first poster launch is something we haven’t witnessed before. Launching the movie poster in multiple languages seems to have paid off as a strategy on a national and international level. Apart from some of the major countries including India, USA and UAE, we are seeing these groups from Seychelles and Sri Lanka, also. The organic growth is simply incredible.”

Trade Analyst Rahul V Dubey say, “PM Narendra Modi Biopic will also have a very bright chance of working at the box-office because it is first time in the history of India that a biopic is being made on the life of a PM who is still in the office and is very popular not only in India but all over the world. A self-made simple man and a very astute politician about  whom everyone is very intrigued and keen to know more about his real-life story.”

Also read : With BJP’s #5yearchallenge, 2019 General Elections to see political war of memes

PM Narendra Modi is a biopic that will traverse the journey of Narendra Damodar Modi from his beginnings to his years as Chief Minister and finally his landmark election as the Prime Minister of the world’s largest democracy.

Produced by Sandeep Singh and direction by biopic maestro Omung Kumar, PM Narendra Modi has Vivek Anand Oberoi as playing Modi.

The post PM Narendra Modi the biopic creates WhatsApp Mania appeared first on Social Samosa.

When Big Bazaar went the Emi-Way….

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big bazaar emiway bantai

Big Bazaar collaborated with rapper Emiway Bantai for the announcement of Sabse Saste 5 Din to cater the young audience. Did it rap the right way? Experts share…

Whenever you see the opportunity to create a WOW! Moment, Act on it! – said American author, Shep Hyken. Something that has been taken too seriously by the marketers of today. 

Big Bazaar went a step ahead and devised a one and half minute rap film featuring Indian rapper Bilal Shaikh popularly known as Emiway Bantai, announcing the Sabse Saste 5 Din. With 2 million subscribers on his Youtube channel, the 23-year-old artist rakes in 227 million views. He is also doing a cameo in Gully Boy which is directed by Zoya Akhtar.

In the video, he is seen rapping in true gully boy rap style, bringing in the local vibes and crooning to ‘Let’s celebrate Bantai, Sabke Liye Khaas Din’.

Insight and conceptualisation 

When approached by Big Bazaar to do something about Sabse Saste 5 Din, Emiway expressed his interest in the collaboration and visited a Big Bazaar store to get a real feel of the environment and the general vibe. It was here that he came up with the brilliant idea of creating a composition about all products available at Big Bazaar and how Sabse Saste 5 Din is all about the celebration of shopping for the common man.

Going the Emi-way

Pawan Sarda, Head of Digital, Future Group asserts that digital is all about topicality & how best a brand can integrate the same in its storytelling. “Thus with the buzzing rap culture catching the fancy of the entire nation, we chose to do a “rap” to announce the launch of Sabse Saste 5 Din with Emiway.”

Also Read: Big Bazaar’s Diwali Aa Rahi Hai stands lit, feel experts

Anil Nair, Managing Partner, Law & Kenneth Saatchi & Saatchi adds on how this move is a perfect amalgamation of astute marketing and creativity, “ Big Bazaar is a brand that has constantly tried to be relevant and in touch with the spirit and changing needs of young India. Be it with our various Facebook 24-hour LIVEs or the Twitter Decide Your Price promotions or the Google Smart Search. Our collaboration with Emiway Bantai is part of immersing ourselves into their conversations and narrative.”

Last year, for Sabse Saste 5 Din, the retail giant dug into the passion of real individuals who put in their effort to make the sale event a grand success. Including a few who have been associated with Big Bazaar for over a decade with Big Bazaar.

With ‘Aisa mauka fir kaha milega- #IndiaChalaShopping Big Bazaar aimed at generating curiosity driving nostalgia and rolled out a series of ad films featuring customers who shared their personal accounts of the discount shopping days.

Now in its 13th year, Big Bazaar’s Sabse Saste 5 Din has come a long way- from being day-long shopping show to a five-day phenomenon.

Expert Opinion 

Shrenik Gandhi, Chief Executive Officer and Co-founder, White Rivers Media

Future group has clearly aced the game of moment marketing. From the very viral Brand Factory to FBB to Big Bazaar, all brands have crazy campaigns lined up always. This one rides the wave of hip hop, which always has been inherently viral, but is, all the more viral with the buzz around the latest Ranveer & Alia starer Gully Boy.
I feel the selection of cast, lyrics, cinematography, all are to the point and Big Bazaar is in for yet another memorable SS5D.
Hamza Sayed, Founder & CEO, Future X Media 

Big Bazaar‘s desperate attempt to connect with its audience featuring Rapper Emiway Bantai clearly fails to hit the mark as the star of the advert doesn’t appeal to the masses! Emiway may be popular among the youth, more specifically, the college-going audience. However, these people aren’t the ones that make financial decisions for the household. A mature person wouldn’t be inclined towards going to Big Bazaar if an underground rapper urges them to. They’re unaware of the lingo and the brand message is being lost in translation! The campaign message isn’t aimed to target the group it should.

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#BrandSaga: Surf Excel: The brand that celebrated stains

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#BrandSaga: Surf Excel: The brand that celebrated stains

Today we walk down the memory lane, unraveling the saga of a brand that convinced us to believe that ‘Agar daag lagne se kuch accha hota hai toh #DaagAcheHain’. None other than Surf Excel – the brand which is touted to have revolutionized the detergent category with its distinct positioning.

Standing strong against Nirma’s Hema, Rekha, Jaya, and Sushma – Surf Excel’s Lalitaji cultivated the definition of ‘sasti aur achi cheez’ for consumers. Even after 59 years of its existence, Surf Excel remains true to its brand philosophy and is currently marketed as the counterpart brand of OMO detergent in India, Pakistan, Bangladesh, and Sri Lanka markets.  The detergent market is growing at a CAGR of over 13% in the last 5 years in India and it is expected to grow at a similar rate in the near future.

When asked about her fondest memories about the brand, Anita Nayyar,CEO – India & South East Asia, Havas Media Group exclaimed, “Surf is an iconic brand which has stayed fresh (as it treats the clothes). Throughout my advertising career and not to forget the other housewife hat that I wear I have had fond memories.

Right from Lalitaji saying “Bhaisaheb” and “Surf ki kharidari mein hi samajhdari hai“ to “Dhoondte reh jaoge” and then graduated to “Daag achhe hain”. An interesting journey for a brand to move from a platform of “Sasti cheez Vs Acchi cheez“ to today’s “Dirt is good”. It is commendable for a brand to stay “fresh” in the minds of the consumers for so many decades. Hats off!”

The Rising Star

First introduced in neighboring Pakistan just after a year of independence in 1948 by Unilever; Surf was brought to India in 1959. Believed to be one of the oldest detergents, it was launched with an aim to become the one-stop shop for people seeking solutions for laundry issues.

Soon after, India witnessed a tough detergent war with the arrival of Nirma in 1969 and thus was born Lalita ji – a mastermind of ad guru Alyque Padamsee. An answer to Nirma’s cheap pricing, Surf excel’s Lalita Ji stood for value for money and became a household name thereafter. 

“Surf Excel to me starts with memories of our first television set at home and Lalitaji talking to us about “Samajdaari”. My mother would actually cite her as an example when she wanted to teach us a lesson on value shopping. I also have memories of Surf being used as a generic name in our house for detergents- no matter what brand was actually bought by my mother!”, reminisced Babita Baruah, Managing Partner, GTB India.

The War of Detergents

1991 saw the entry of yet another player in the detergent market – this time it was P&G’s Ariel, targeted at a premium level. Surf had to react to this. It underwent various changes in brand communication and was replaced by Surf Excel in 1996. The move was in line with the Unilever’s global communication theme, Dirt Is Good for its premium detergent brands.

Facing stiff competition from the constantly evolving laundry detergent segment with the launch of local products and mid-pricing, Surf Excel rolled out Surf Ultra with enzymes technology. This also gave birth to ‘Daag Dhoondte Reh Jaoge’ philosophy, kuch yaad aaya? 

The  ‘Daag Ache Hain’ Phenomenon

In the late 90s, Surf Excel went with the tagline ‘Jaise Bhi Daag Ho, Surf Excel Hai na’. It was only in 2005 when the brand managed to break through the clutter introducing ‘Daag Ache Hain’. With this, Surf Excel targeted housewives, especially with kids and catered to the urban audiences.

Imagine someone telling you that ‘Its okay if you spoil your newly bought white shirt, kyunki Daag Ache Hain. Surf Excel did it. It went onto produce Surf Excel bars. Teaming up with Lowe Lintas, the iconic brand created themed campaigns that became every house story.

The ‘Dirt is Good’ campaign began with the famous puddle war commercial, where a brother is shown taking revenge on a mud pool for spoiling his little sister’s clothes. The communication continued with a series are stories of children getting dirty while doing something good … hence dirt is good.

This commercial helped the brand build high salience amongst the target audience and was followed by equally interesting executions over the years. The consistency and distinctiveness of the campaign led to building differentiation for Surf Excel that has resulted in strong growth for the brand.

The ads portrayed qualities that parents desire to have in their kids- be it ‘badappan’ or ‘forgiveness’. What worked in the favour of Surf Excel is the communication that always centered around people (consumers) while it’s competitors focussed on the product.  

Summing up the brand journey, Baruah added, The journey from Lalitaji to Daag Acche Hai, has been a very powerful one. I saw the hashtag #HaarKoHarao on the website, which had the copy- Falling is learning. The brand is clearly based on human-centric insights and strong product relevance built on those insights.”

‘Storytelling’ was always in the genes

Amidst the mainline communication through Television, Radio, Outdoor, and Print, it was ‘storytelling’ in regional languages that made Surf Excel a versatile brand and a favourite among the lots. 

With the arrival of digital, storytelling became an even bigger part of their communication. Cut to 2016, Surf Excel Pakistan weaved a creative gem on the occasion of Ramadan #madadekibadat which was a hit and won many accolades. 

The same year also saw Surf Excel India leveraging the festival of light by rolling out #AbLagRahiDiwali.

Owing to the success of its previous year Ramadan campaign, in 2017 the brand took the creative thought process a step further and kept people drooling over the selfless act of little Shahid and appreciate the true spirit of Ramazan.

Standing for righteousness and cause

From promoting itself as a better option than its competitors, Surf Excel marched ahead standing for righteousness and human qualities to possess but did not let the kid in it go away. The commercial shows a young kid standing up to bullies by a mix of courage and quick thinking that ends up saving the day.  

Further to PM Narendra Modi’s Swachh Bharat Initiative, Surf Excel took on itself to put the spotlight on the matter of environment cleanliness with Surf Excel Keep India Clean Watch. The one-minute 20-second ad showed  little heroes leading the change.

Amidst race to catching up with the ever-evolving trends, Surf Excel has always been equally focused on the various product-centric adverting for variants like Surf Excel Matic Liquid, etc.

Catching up with the Digitalverse

An extension to it’s ‘Dirt is Good’ positioning, #ReadyForLife – an activation was launched across digital platforms, enabled the brand to engage with millions of mothers in urban India. Through the initiative, the brand aimed to empower mothers to start parenting journey by signing up for the campaign and registering for a set of events where they can take their kids to during the summer break.

Jumping on the social experimenting trend, Surf excel undertook ‘The Falling Test’ wherein they asked – How do kids learn about failure?

‘Haar Ko Harao’ – new kid on the block

For a brand to keep the communication going for decades, its always a challenge to come up with a fresh twist initss advertising. Surf Excel very much understood it and launched Haar Ko Harao under ‘Dirt Is Good’.  Here the ads preached parents that if kids get dirty in learning to defeat failure, then dirt is good.

 

In Baruah’s view, more than a powerful proposition, being consistent to a proposition is what makes a brand credible and stand the test of time and change. “Surf Excel has stayed true to this. That’s what makes it one of my personal favourites.”

From the plain vanilla Surf to Surf Excel and its distinct variants, the brand has traversed through like a true player with an undying spirit in the Rs.13000 crore detergent industry.

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When Ponds took the social experiment route…

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ponds india jhappi van

Taking a break from the usual product-centric advertising, Ponds India in it’s latest communication adopted the social experiment route for the Ponds Jhappi Van campaign. Experts share their verdict on how far was the brand successful in going the trend way.

Ponds Cold Cream’s latest campaign highlights the need for ‘actual’ meaningful conversations and shares the moment of mutual love with our loved ones through physical connections. Taking its legacy of trusted care further, Ponds Cold Cream executed a social experiment titled ‘Jhappi Van’ by touching the emotional side of today’s youth.

Campaign Insight

In a world of constant virtual connectedness, there is so much time spent on social media and so little time spent on making actual, physical connections with those we love. The effort of the ‘Jhappi Van’ social experiment conducted by Pond’s is to gently nudge young people to go over and hug those they love. In Indian parlance, ‘jhappi’ means much more than a simple hug. It’s the embrace and protection that only a loved one can provide.

About the digital films

The campaign was rolled out on the occasion of International Hugs Day celebrated every year on the 21st of January.

When was the last time you hugged someone? Is the question posed to random consumers while they find it difficult to recall and crave for one at the moment? That’s when Ponds Jhappi Van makes an entry to fulfill their wish and make the loved ones meet.

The films have garnered millions of views on Youtube and reactions on Facebook.

Objective to launch ‘Jhappi Van’ and ‘Pond’s Ki Jhappi’

Embodying warmth, love, and care, ‘Ponds’s Ki Jhappi’ aims to spread the joy of real hug synonymous with the product Pond’s Cold Cream.

Also Read: When Big Bazaar went the Emi-Way….

With the launch of #PondsKiJhappi in 2017, the brand looked at ways to take it forward and build on the same thought.

Also Read: Are social experiment campaigns dying?

“Interesting consumer insights helped us understand that it’s relationships even beyond the mother-daughter bond (which is what we’ve shown in our TVC) that hold value when it comes to ‘care’ – which is what led to the idea of the ‘Pond’s Jhappi Van’. Our new set of digital films talk about different relationship dynamics and how a ‘jhappi’ is a great way to show that you love and care,” shared Prabha Narasimhan, Vice President, Skincare and Colours, Hindustan Unilever.

Creative Thought Process

With an aim to build brand love, Zenobia Pithawalla, Senior Executive Creative Director, at Ogilvy Mumbai and the team came up with the Pond’s Jhappi van. She added, “This ‘hugs’ van gave you the opportunity of returning the love and care you got from those who showered you with theirs. Bringing alive all the attributes and emotions that Pond’s Cold Cream stands for.”

Whether it be devising the communication for pimple problems and providing the consumers with ‘Ponds Pimple Clear Face wash and It’s Time to Move on’ or the evergreen ‘Googly Woogly Wooksh’, Ponds has always resorted to focus on the product specifications and consumer needs until it joined the storytelling and social experiment bandwagon. Why Not? Isn’t that the current content marketing trend?

However, in the quest to stand out advertisers end up stepping into the same shoes as the competitors’ trying to fit in by weaving yet another tale with an added or different twist.

Experts review:

Porus Jose, Creative Head, IdeateLabs

It took me a while to react. Not because I was not sure if I liked it. Let’s say, it’s cute. But it definitely didn’t make me sit up. Didn’t spread a warmth inside, didn’t make me go, “Ah. That’s clever” or get me squirming in my seat.
What is the connect between ‘catch up for those lost moments with your parents’ and ‘skin care’? Are brands really getting desperate to stand for a cause?
It isn’t about some brand trying to open your eyes to teenager-parent relationship apathy, gaining precious goodwill from the cream-slapping populace. It’s the race brands are running to churn more and more content. To stay ahead in the SEO game. And what better way than videos. Looks like Pond’s Institute has a back-door entry into a digital marketing lab. Good luck with the rankings.
Faaizah Husain, Client Services Director, Monk Media Network
A tug at a forgotten heartstring. 
 
In a world of, ‘compulsive emoticoners’ the campaign is a beautiful reminder to express love to the people who matter the most. It highlights the closest relationships we almost always take for granted. Something worth observing is that parents’ first reaction was to be scared and confused rather than feeling loved. The reason this spontaneous affection seemed out of place is that we do not do it as often as we should. Pond’s has taken a big step forward from the efficacy driven communication that is commonplace in the personal care category. 
Kumar Vansh Moondra, Founder, webtraffic.co.in  
Positives
The brand took the initiative to convey to people the importance of those who love them unconditionally. These people may not be related to you but they love you nonetheless.
Negatives:
The ad looked scripted. Every ad is, but the better ones feel real.The product promoted through this video, ‘Pond’s cold cream’, seems a bit forced. There is no connect between the message of this video and the product, which is in contrast to what was done in the brand’s previous ads with the ‘#PondskiJhappi’ tagline.

The post When Ponds took the social experiment route… appeared first on Social Samosa.


#BrandSaga: Bajaj Auto- An unstoppable Journey

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#BrandSaga: Bajaj Auto- An unstoppable Journey

This week we walk down teh emmomry lane with the brand who personified all it’s products to etch an impressive mark in the conusmers’ heart. Here we traverse through Bajaj Auto’s advertising journey and how it owned the auto market.

“Hamara Kal, Hamara Aaj. Naye Bharat ki nayi tasweer. Buland Bharat ki buland tasweer” – Hamara Bajaj…

Needless to say, Bajaj Auto has been riding with us on the highway of our lives since last 73 years – up and strong. Though we miss the ‘Hamara Bajaj’ moment on our television sets today,  the company has revived its spirit in its new positioning ‘World’s Favourite Indian’ which was unveiled a few days ago. Further to the announcement the company is also believed to debut on early this year, 2019- too late than never.

The Accelerating Start

Touted to be the leading and one of the oldest manufacturers of two-wheelers in India, Jamnalal Bajaj sowed the seeds for the company in November 1944 in Rajasthan. Initially named as M/S Bachraj Trading Corporation Private Limited, Bajaj Auto started off with importing the vehicles and later manufacturing them by setting up in-house plants post-1959.

It was in 1960 that the decade-old brand chose to come under the spotlight by launching the very first scooter Vespa 150 and then in the 70s by foraying into manufacturing three-wheeler carriers. Bajaj was still settling on the advertising terms while doing its bit on print and radio.

When ‘Chetak’ roared – The Birth of ‘Hamara Bajaj’

Consumers who looked at  Bajaj as one of them since its early times would be very well versed with the history of  ‘Hamara Bajaj’. It still manages to spark terrific nostalgia and takes us back in the 70s when the dynamic ‘Chetak’ was launched. The entry of Chetak was a turning point for the company which brought the name and fame becoming a favourite of every Indian household.

It was during this time when the owners teamed up with ad guru Lt.Alyque Padamsee to weave the eternal tagline cum song ‘Hamara Bajaj’ making it synonymous with the sentiments of the country, evoking a bit of patriotism everytime it aired.  A lack of competition then led Bajaj to hold a monopoly in the market floating fee more brands named Priya, Super under it.

As a smart move, Bajaj created Chetak at a time when luxury was new to the masses and a large population still was not able to afford it and a four-wheeler was a thing of the upper classes as they called it while the two-wheelers were rising up on the popularity chart back then. With an affordable pricing strategy and getting the TG right (middle-class), Bajaj became a pivotal part of every Indian family.

Kawasaki Bajaj – The Unshakeable

In 1986 Bajaj Auto tied up with Kawasaki for the sale and after-sales service of Kawasaki motorcycles through its Probiking, a premium bike dealership network, since 2009. The company roped in Vidya Balan for their ad campaign to promote the Kawasaki range of vehicles.

The one and a half minute long ad film catered to a mass audience signifying the strong relationships which subtly integrating the vehicle as an accelerator to further strengthen the bonds.

However, the 33-year long association between Bajaj and Kawasaki ended in India following deepening of ties between the former and its Austrian partner KTM in a quest to enhance the global presence.

The rise of the Competition

What’s success or failure without competing? While Bajaj Auto still held the larger share, the famous auto brand then, Hero Honda made a quick entry in the motorcycle market with the newest technologies. It launched Activa, gearless scooters, with a unique structure and look, electric starter along with few more advancements. The move posed a huge threat to Bajaj Auto’s success to an extent that the market value started diminishing it had to stop production of the iconic ‘Chetak’ in 2005 which dominated the market for three decades.  

As a reply to Honda’s Activa, Bajaj Auto came up its own version of gearless scooter ‘Kristal’ in 2006 which too lagged behind in etching a mark. However, the company claimed to have had reported a 4.7 percent increase in net profit at Rs. 116.32 crores in the quarter ended June 30, 2000, as against Rs. 111.09 crores in the corresponding period the previous year.

In the 2000s, Bajaj Auto stopped manufacturing scooters that were considered to be the biggest drawback of the company since the scooter market started booming, holding a 34% share of the two-wheeler market.

Bajaj Auto, as reports suggest, failed to keep up with the changing market dynamics and consumer trends which led to it losing shares to the competition and foreign entrants.

N Chandramouli, CEO at TRA Research asserts that for those who grew up in the 90s may not be able to remember a better ad than ‘buland Bharat ki buland tasveer, Humara Bajaj’ … Bajaj scooters had become the symbol of a resurgent, yet caring India, of aspirations, of hopes made up of cultural diversity. “Rarely has an ad captured the mood prevalent among Indians in a manner that the Humara Bajaj’ did. It resonated with indians across class and region and gave everyone a feeling of belongingness and pride.”

He also feels it was Lowe’s best campaign to date which till now triggers nostalgia of an entire era.

The discovery of Bajaj Discover, Bajaj V and The Power of Digital Storytelling

Bajaj Discover- ‘Ek Litre Mein India Ki Khoj’

The aggressive market profile did not deter Bajaj Auto from focussing on new variant launches wherein it rolled out ‘Bajaj Discover’ bikes in 2003 betting big on the mileage factor.  Combined with an interesting tagline, ‘Ek Litre Mein India Ki Khoj’, the variant was promoted through traditional and digital channels.

The ad films were segmented in spots for Television while full versions were released on digital. The campaign was shot pan India in slots and series featuring various places within the country and the facts which make them special within 100 km (or as the company called it 1 Ltr) distance from some prominent city/town.

Magnetic Hill – Ladakh, Mattur – the Vedic village, Jambur – the Gujarati village with an African tribe and Shani Shingnapur – a town where houses don’t have doors, etc. were explored in the commercials.

From Hamara Bajaj to Distinctly Ahead

In 2007, Bajaj Auto Limited (BAL) announced its new slogan and decided to move ahead of ‘Hamara Bajaj’ to be ‘Distinctly Ahead’ with a vision to being ahead by being distinctive in all aspects including production, technology, and manufacturing, also in marketing and communication strategy. Marching ahead with the rising nation, Bajaj Auto and R.Balki, then National Creative Director at Lowe, conceptualized the TVC to unveil the new positioning based on values of speed, innovation, and perfection.

‘The Fastest Indian’

Later in 2009, the Ogilvy team including the likes of Piyush Pandey devised ‘The Fastest Indian’ positioning for Bajaj Pulsar’s variants targeted at youth. It was Bajaj Auto’s first 360-degree digital campaign using all digital touch-points going beyond conventional media channels.

Realizing the potential of digital media, the brand went ahead with creating a fan page on Facebook to engage with the consumers. The company also developed a widget to check user internet speed and a game-based application that allowed users to see how fast they can go on The Fastest Indian.

Bajaj Avenger- Feel Like God

10 years later the Mullen Lintas team revived the ‘Feel Like God’ – a catchphrase invented by veteran ad filmmaker R Balki. This time in 2016 to lead it digitally and was targeted to the corporate world and people who say no to a ‘9-5’ job or more specifically the ‘rat race’, thereby exploring the array of topics to highlight them through their communication.

Bajaj V, the Invincible Indians, and the #SonsOfVikrant

Bajaj V, a vehicle of pride was unveiled to the masses ahead of Republic Day in 2016 through social media while it continued to trend on Twitter. Made from metal salvaged from the Vikrant, India’s first aircraft, Bajaj V has been weaving remarkable stories since it’s inception.

The brand did not stop here, taking the communication ahead, it went onto explore the story of the war hero (INS Vikrant) who was later abandoned and then moved the focus onto the changemakers of society to salute their heroism and give them a platform to reveal their side of the story.

Throughout the campaign series, the brand aimed to go beyond mileage and it’s product feature with effective storytelling. Social media activation for the same got them impressive results and the stories got shared actively among the netizens.

Sons of INS Vikrant- Everyday Pride – The Invincible Indian- Postcards of Pride

Sans doubt, the innovative and varied approach towards advertising and effective use of different mediums for communication has made Bajaj Auto a force to reckon with.  From being India’s pride by making everyone croon to ‘Hamara Bajaj’ to discovering a boy within every man to introducing us to the ‘Invincible Indians’ to now claiming to be the ‘World’s Favourite Indian’, Bajaj Auto Limited has had its ups and downs like no other and we salute the journey which has been unbreakable while being unstoppable.

 

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Making of Ariel #ShareTheLoad- The movement that sparked conversations on household inequality

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Making of Ariel #ShareTheLoad

In the article, we trot through the Making of Ariel’s #ShareTheLoad – the movement which has made men think equally and put the spotlight on the much-raved issue of Gender Inequality.

Is Laundry Only A Woman’s Job?- A question that took the face of a revolutionary movement is a brainchild of the P&G owned Ariel who teamed up with Mediacom and BBDO India to bring to us the masterpiece.

Who would have thought a laundry detergent brand would go on to burst stereotypes surrounding women and their responsibilities adhering to societal norms. Ariel has been unearthing the reality of inequality within households since 2015 with #ShareTheLoad. With the thought process to address equality, aspiring for happier households where men and women share the load equally, Ariel weaved its novel insight in the form of series of digital films raising pertinent questions that made the audience think, introspect and act.

Later in 2016, with ‘Dads Share The Load’ movement, the conversation was aimed at unearthing the reason for the disparity, which is the cycle of prejudice passed down from one generation to the next. Cut to 2019, when Ariel set out to reignite conversations on household inequality, this time focusing on the ‘ghar ka beta’ with  Sons #ShareTheLoad, we could not help but traverse through the campaign journey which is no less than a monumental one.

 The campaign journey – From questioning is laundry only a woman’s job to Sons #ShareTheLoad

“The journey has been phenomenal. More men today are sharing the load than ever before,” exclaimed  Sonali Dhawan, Marketing Director, P&G India, and Fabric Care. Despite progress, more work is still to be done. Ariel continues to address the issue of Gender Inequality within households and has thus launched their third season of #ShareTheLoad because, with Ariel, anyone can get impeccable cleaning no matter who does the laundry!

Dhawan informed that this year, Ariel has taken that conversation further to identify the root cause of this and propose a solution. “While the weight of external jobs is often split between the couple, women continue to single-handedly take responsibility for the household chores. When husbands are not equipped to share the load with tasks at home, the entire weight of those falls on women’s shoulders that impacts their career aspirations and performance at work.”

A survey by an independent 3rd party in 2018  also revealed that seven out of ten women* in India reconsider additional responsibilities at work in order to balance the responsibilities at home.   With the belief that mothers have a strong empathetic point of view, Ariel urges this generation of mothers to raise their children as a generation of equals by asking a yet another pertinent question: “Are we teaching our sons what we have been teaching our daughters?’  If not taught to #ShareTheLoad, the sons of today become the husbands of tomorrow, who may not be prepared enough to be equal partners.

Consumer insights that drove the campaign thought and execution

With Sons #ShareTheLoad, Ariel urges mothers to be the changemakers of the society and hence relook at the way they raise their sons. “We were looking for a deeper message. We wanted to realign ourselves with the evolved cultural context. The society today is not the same as it was 2 years ago. Similarly, family and couple dynamics are not the same. ,” shared Josy Paul, Creative Director, BBDO.

So, the team had to root themselves in the reality of TODAY. He added, “We had to take the communication forward from where we left it off last time. And hence, we felt the need to showcase a change being brought about.” The brand and the creative team were seeking to tell all families, that if one can bring about a change, so can you. This led to them choose to focus on the Mother-son relationship.

The son is shown at the very impressionable age, where he forms not just opinions, but also value systems that will guide him for life. And the sons of today, become husbands of tomorrow. The movement going forward will have more elements to help drive behavioral change in the area of laundry. It’s all very exciting, according to Paul.

Also Read: #BrandSaga: Bajaj Auto- An unstoppable Journey

Evolution  of ‘Removing the Stains of Social Inequality’ over the years

Since 2015 Ariel has encouraged Indian men to help in household chores.  After sparking the conversation, it introduced Share the Load 2.0 where we uncovered that it’s the conditioning that leads to this inequality, with the Dad’s apology film.

Dhawan said, “This year we are focusing on the younger generation, who are raised in a balanced manner, will grow up to be a generation of equals. When we observe our consumer and society, we see laundry as one of those daily chores where the distribution of load is uneven.”

Laundry here is the face of the movement and with Ariel, anyone can get the best results no matter who does the laundry. When thinking of the next leg, the brand realigned itself with the evolved cultural context of current times. “Ariel will continue to strive for happier households, where men and women share the load equally, she asserts.

Also, sharing a personal anecdote that led the creative team to weave this piece of creativity, Paul informed, “Recently, my son returned from abroad during holidays, with bags full of uncleaned clothes. It surprises my wife so much that she decided that she will teach him how to do laundry so that he doesn’t carry excess baggage each time around. It is happening all around us. This is an awakening of sorts, for us as parents to bring up our children in a balanced way so that they are capable of being equal partners tomorrow who #ShareTheLoad”.

Paul thinks that true success of a movement like a #ShareTheLoad is when the thought creeps into the pop culture and day to day lives.

Challenges during Connceptualisation and Execution

A conversation like #ShareTheLoad is about collaboration. “The process involves collective thinking, personal stories, and the external environment, all of which inspires us,” commented Paul. The whole team went through all the consumer reactions from the previous films, tried to extract conversations from around them to tap into the current relevant context. “It is not just raising the issue, but also providing a solution so we can move the society to a more equal tomorrow.”

Social Media to drive the social change

The audience is viewing content through a digital medium more than ever before, it’s a medium that is so personal because its right on your mobile, people view it at leisure and at their convenience. Social media also enables much stronger engagement and conversation. Dhawan said, “ Ariel believes in completing the circle of change around a social cause as relevant as Gender Equality. The campaign has been launched digitally. What more can I say? We rely on platforms like digital that can help us drive conversations, instead of it being a monologue from the brand so that consumers can leverage the platform of their preference to share their perspective, reactions, and stories.”

Meanwhile, Paul opined, “It’s about conversations, not monologues. So, digital is the way to go.” The brand claims to touch all those platforms where we can target mothers and sons of today and have a 360 coverage of the campaign.

Also Read: #BrandSaga: Raymond: The brand that redefined masculinity

When quizzed about the essentials to make it an effective approach towards Content Marketing, Paul believes that if the brand has the power to influence the audience and bring a change, then why not and it’s great that brands are taking up important social issues through advertising. “However, it is equally important to complete the circle. Don’t just use the ‘social cause’ as a quick mantra to draw attention. Bring it to closure if you are serious about the cause.”

#ShareTheLoad: The Big RESULT

Since 2015, Ariel has been an advocate for the women and has continued to raise pertinent questions. We have had men from across the country pledge to share the load – and we see it in the numbers too – In 2016, 63% married men thought household chores are a woman’s / daughter’s job and ‘outside’ work is man’s / son’s job. In 2018, this number has dropped to 52%. It’s not just a regular campaign, it’s a movement for social change. By raising a mirror to society, the brand is seeking a better world where there’s equality within the household and hence happier households,” quipped Dhawan. There is change happening, and Ariel is proud to be at the forefront of it. More men today are sharing the load than 4 years ago, and this is just the beginning.

The digital films have managed to rake in 3 million views on Youtibe and huge number of shares on Facebook along with other social media platforms. However, it is worth noticing that almost 50% of the male population still thinks atht household chores is a woman’s job. Which brings us to questions the existence of ground level impact that the campaign promises to bring in- are the ample number of shares and views testimony to bringing about a social change or there still more needs to be done.

 

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Interview: I always add my personal life update to everything I create and that makes me relatable, Bhumika Thakkar

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Bhumika Thakkar

Bhumika Thakkar’s newlove-makeup, is a result of her passion for makeup.

Irrespective of not able to blog daily, Bhumika is active on social channels giving her global audience’s demand. She considers consistency, honesty and detailed reviews as her USP.  “I always add my personal life update to everything I create and that makes me relatable. I share pretty much everything about my life with my audience” – Bhumika’s mantra of relevant and relatable content creation.

In a candid interview with Social Samosa, Bhumika Thakkar shares her journey from being a CA to Blogger. Excerpts below:

  • Looking back, where did it all begin? 

I am a CA by education and I was preparing for my Finals when I stumbled upon blogs in general and beauty blogs in particular in 2010. I read a lot of blogs and I was always into taking care of my skin and I did like makeup, though I didn’t know much about using makeup back then but reading blogs definitely piqued my curiosity. There was this one beauty blog which hired writers and paid them per post. I did submit one post to them, it’s pretty tempting to go for that temporary assured money in the short term, but my then boyfriend now husband pushed me to start my own blog and think about it as something of my own in the long term. So that’s how it all started and I was pretty passionate about it, so very regular and quite motivated :) I would like to believe I still am, there are ups and downs and phases but I have been pretty regular all though the 9 years. I have seen many bloggers come and go and take year long breaks, somehow I never felt like because I truly loved what I did and still do.

  • What’s in the name? 

Arrgh..I hate my blog name. I was so naive back then but I knew I wanted makeup in my domain name, and since beauty and makeup was my new love, I chose newlove-makeup.com

Haha, I don’t like it and have thought about changing it many times but all my SEO would go for a toss as all the backlinks I have are directed towards this domain name. So we roll with it :)

  • What is your USP in this cluttered space? How does your content give you an edge?

I know I am not as consistent on the blog as I was because of YouTube, Instagram and other social channels. But I have to roll with the time, majority of my readers and people in general prefer seeing videos over reading blogs now. Also, there is more reach and audience on Instagram and I have been pretty consistent and regular there. I still try to blog once a week at least, but I used to blog every single day. When the readers globally demand other mediums, you change accordingly. My USP is consistency and honest, detailed reviews. I have never completely given up on any platform once I start it. I may reduce the frequency of posting on one platform if I am more regular on another, but I will still try to post everywhere once a week or once in 10 days.

I was only into beauty initially but slowly I forayed into fashion, lifestyle and my personal life updates, for example a whole bridal series when I was getting married, etc. I take my audience along with me and update them about everything in my life. I always gave a personal touch to my content and my audience relates to me because of that, that gives me an edge. Also the trust they have on me, for my reviews and recommendations means a lot, and I would never ever promote anything I don’t like or personally use. I would never take my readers’ trust for granted as that means everything to me.

  • Please take us through your content creation process. How do you stay relevant and relatable? 

As I mentioned, I always add my personal life update to everything I create and that makes me relatable. I share pretty much everything about my life with my audience. To stay relevant, you have to adapt to new technologies, new apps or social platforms and be open to change. Experiment more often and try something new, out of your comfort zone. For content creation of a makeup look, I may or may not have a look in mind but I am sure of the products I want to use and go along in the process. For a fashion/experimental shoot, I have a concept and outfit styled in my mind and then I put things together. It feels amazing when you see the final output exactly as you had envisioned it!

  • How do you rake moolah with your efforts? 

As a freelancer, it’s not always a fixed amount or there is no fixed way to earn money. There are different sources of income for influencers/bloggers like Google Adsense, Affiliate Marketing, Influencer Marketing, etc. but it’s all variable eachmonth.

  • How do you maintain editorial objectivity with the influx of brand briefs? 

Sometimes we get a fixed brief and we don’t get a chance to do something creative, it’s the same type of repetitive content you would see on all bloggers’ profile but when the brand leaves it upto the blogger, everyone comes up with their own different idea and add a personal touch and that makes it so much better. It depends on the brand, but it’s definitely a better experience for both when you give the bloggers the flexibility required.

  • One instance/experience that made it all worthwhile 

There are so many smaller ones on the daily, when I get messages/mails saying I inspire them or my recommendation worked for them, it makes me so happy. When platforms acknowledge my hard work by nominating me for an award or when I win it (like the Social Samosa and BHG Best Luxury Blog recently) When I get featured in national and international publications.

Initially my parents didn’t know what blogging was or what exactly I was doing, but when they hear other people say we saw your daughter online or we follow her or love her work and when they come and narrate it to me happily with a proud feeling, that makes it all worthwhile.

  • Weirdest brand brief/request ever

There are so many :D But the most recent one I remember was plogging, where I had to record a video while jogging and picking up litter from the roads. Obviously it didn’t work out, plogging as a concept is good but as a brand campaign, not so sure :p

  • If not blogging, you would be? 

Since I am a CA, a finance job or teaching

  • A day in your life….

A day in my life involves some house work, followed by my own work. Replying to emails, planning upcoming shoots, coordinating with the photographers and checking on the shoot location availability, writing blog posts or recording/editing a video for YouTube and/or editing pictures and planning my Instagram feed. If there are some urgent brand collaborations, simultaneously working on them too. A day prior to a shoot day is prepping for the shoot from clothes to accessories to  makeup. Blogging is pretty much a whole day work like any 9 to 5 job and sometimes even more as we do all this on weekends too :D There is practically no holiday for bloggers, unless you take a complete break from social media for a day or two

  • Message/tips for upcoming bloggers 

Be consistent and regular with your work, experiment and create something different and new. I know this is a very competitive and saturated time to enter, but if you have something different to offer, then that’s your USP and will always work :) Don’t give up, because you need patience and a few years for your efforts to get noticed, so keep at it.

  • Your Favorite Influencer 

There are so many influencers I love and follow. In terms of fashion, I love Chriselle Lim, The Line Up duo and in beauty, Teni Panosian, Desi Perkins. From India, I think Aashna Shroff is very hard working and warm and grounded at the same time.

  • The Future you foresee for your Personal Brand

There are many social media platforms coming in each day and it’s not possible for a person to be consistent on each and every platform. In this digital age, there is no guarantee for a social platform to last forever but we can only hope it will. Personally, I will continue to do good work that makes me happy and content and also always listen to my readers’ feedback and work on it. I will definitely do my part of working hard, but there are some things which are not in your hands :) I am being quite practical here, but if seen positively, I can say I want my personal brand to grow much more. I plan to include a lot of travel too in my content.

 

The post Interview: I always add my personal life update to everything I create and that makes me relatable, Bhumika Thakkar appeared first on Social Samosa.

PM Narendra Modi the biopic creates WhatsApp Mania

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PM Narendra Modi Biopic

Sandip Singh’s biopic on the Prime Minister titled PM Narendra Modi has definitely caught the imagination of the country. Directed by Omung Kumar with Vivek Oberoi in and as Narendra Modi has kept social media abuzz.

1500 WhatsApp groups that have been formed to just share information about the film. Digital agency Everymedia that is handling the social media promotions for the film says it has been getting requests to share information about the biopic.

Gautam B Thakker of Everymedia says, “The buzz around this movie is exceptionally high and the posters have been shared on every possible platform. 1500 WhatsApp groups within a week of a film’s first poster launch is something we haven’t witnessed before. Launching the movie poster in multiple languages seems to have paid off as a strategy on a national and international level. Apart from some of the major countries including India, USA and UAE, we are seeing these groups from Seychelles and Sri Lanka, also. The organic growth is simply incredible.”

Trade Analyst Rahul V Dubey say, “PM Narendra Modi Biopic will also have a very bright chance of working at the box-office because it is first time in the history of India that a biopic is being made on the life of a PM who is still in the office and is very popular not only in India but all over the world. A self-made simple man and a very astute politician about  whom everyone is very intrigued and keen to know more about his real-life story.”

Also read : With BJP’s #5yearchallenge, 2019 General Elections to see political war of memes

PM Narendra Modi is a biopic that will traverse the journey of Narendra Damodar Modi from his beginnings to his years as Chief Minister and finally his landmark election as the Prime Minister of the world’s largest democracy.

Produced by Sandeep Singh and direction by biopic maestro Omung Kumar, PM Narendra Modi has Vivek Anand Oberoi as playing Modi.

The post PM Narendra Modi the biopic creates WhatsApp Mania appeared first on Social Samosa.

Swiggy delivers social media lessons, flavoured with tasty trends and crunchy copies

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Swiggy social media strategy

With stiff competition from competing food-tech apps, the Swiggy Social Media Strategy has been raking eyeballs to create brand re-call.

Swiggy is an online food delivery portals, started by three friends who have now churned the business into a billion dollar company. 

With cut-neck competition that innovates their strategies to engage customers, Swiggy too has picked up the pace. It aims to grab social media attention and set their strategy apart with chucklesome content and quick replies on Twitter.

Swiggy has started focusing on their content strategy with a new approach, filled with humor, subtle wit and higher customer interaction.

6 lessons to learn from the Swiggy Social Media Strategy. 

1.) Stream with the memes

Memes have become the millennial language and Swiggy has started speaking the same. Memes go viral in a matter of minutes and to achieve customer interaction on Social Media, Swiggy hooks onto these trending memes and spices up with their own flavors. From the really really really meme to Ariana Grande’s hit song Thank u, next they have relinquished their own versions of these viral memes.

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We really really want to know

A post shared by Swiggy (@swiggyindia) on

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Is too much of a good thing a good thing?

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 2.) Trails of Topicals

Amul has truly led the way when it comes to topicals. Swiggy too has picked up on this strategy. Swiggy makes striking graphics with the topics that are relevant in India. Cricket news to political upheaval they embrace these into their social media posts.

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A sweet victory for love! #Section377 #LoveIsLove

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3.) Fascinating feed

Social media feed is all about aesthetics. Swiggy has taken the initiative for designing a feed that appeals to one and all. With mouth-watering food placed in alluring backgrounds, they have taken an initiative to maintain a vibrant feed. Their platforms on social media are filled with pictures of meals which qualify for a millennial’s #Instafood, a popularly used hashtag by the youth on  Instagram.

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What sin looks like this evening.

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It's okay to skip lunch but not dessert ;)

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Sunday ho ya Monday, roz khao dosa!

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 4.)  KISS – Keep it simple silly

Swiggy’s social media posts are filled with humor and wit that strikes with one and all. Swiggy often posts humor in form of graphics and have captions that increase shareability on digital platforms. The posts are light-hearted and simple to understand. From food puns in captions to using food for their graphics, Swiggy keeps it simply fun.

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Pizza gone? Now log-on to Swiggy to make your HungerGon.

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Also read: Case Study: How Wadhwa Wise City used social media to generate leads

5.) Quiz it up

On Twitter, Swiggy holds weekly two quizzes. The rules to be followed are to follow Swiggy and retweet their tweets. They have a specific hashtag for their quizzes – #SwiggyTuesday & #LightningFastQuiz. This helps the brand to expand its reach and also creates a constantly flowing activity on the page. 

6.)  Heart-touching campaigns 

Swiggy won many hearts when they introduced their “what’s in a name campaign”, a video was made on how the delivery executives need to be treated with respect and to be addressed by their name and not called “Swiggy”. Another campaign that created buzz was ‘Swiggy Karo’ where they projected normal day scenarios in Indian households and how one should rather order from Swiggy. Their #safetyfirst campaign during monsoon had also helped them garner quite the interactions with 16,000 views on Instagram. 

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Take care, dear Delivery Partner! #SafetyFirst

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Along with their social media strategy that has been hitting the right chords they have also take initiative to retweet tweets that praise their delivery on Twitter. 

With their savory copies and heart-melting campaigns, drizzled with humor and blended with right spices, Swiggy Social Media Strategy serves as a tasteful example for brands on Social media strategies.

The post Swiggy delivers social media lessons, flavoured with tasty trends and crunchy copies appeared first on Social Samosa.

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